The Sandgroper is the older ego of Frank Povah who was born in an aunt’s house in Western Australia at the onset of World War Two, the latter event overshadowing the former. As a child he lived in lots of different places: from Cockatoo Island in the Buccaneer Archipelago to Wundowie in the days when it was still in the midst of a vast wandoo forest alive with chuditch – the Nyungar word for “quoll” – and gloved wallabies, and boasted a charcoal iron smelter staffed largely by people from a large DP (Displaced Persons) camp, the civilian casualties of WWII; from a hovel in Hay Street and a house at the edge of Butler’s Swamp – now Lake Claremont – to State Housing in Fremantle. His nomadic ways continued after he completed a compositor’s apprenticeship and he has travelled widely throughout Australia and New Zealand, working at many and varied occupations; occupations as diverse as pump guard at a Tasmanian tin mine to general whatever in a New Zealand fish-and-chip shop.
The Sandgroper is also a musician, who can be found in the archive of the National Library of Australia. He is a folklorist, writer, and champion of lost and perhaps futile causes. Respected by his peers Frank still performs at the occasional festival and other venues.
He was the featured performer in 2018 at Poet on a Plate, a well-known venue featuring Australian “bush poetry” music and yarn telling at Kidman’s Camp, a caravan park in Bourke, the legendary outback town in New South Wales. He also appeared there as the guest performer for a few months in 2019.
For five-and-a-bit years he lived on Butterfly Bottom, a small property with its own graveyard and a beautiful, Irish-mason built root cellar near Stamping Ground Kentucky, where he observed in bewilderment the US way of life as it was lived outside of his immediate environs.
For more than thirty years the Sandgroper edited and wrote for Australian Geographic – always working from various homes in the bush, and was commissioned by Ivy Press (UK) to provide the text for a modest coffee table book, Beautiful Pigeons. He also produced magazines for the fancy pigeon community in both Australia and the USA and has undertaken commissions both private and corporate for copy editing and/or book designing, typesetting, indexing and copy fitting.
He was for a time managing editor of The Western Herald, a small newspaper serving the legendary town of Bourke, in outback New South Wales, until a disagreement over articles detailing irregularities in large scale irrigation practices and alleged water theft – and he suspects his radical policy of publishing press releases from any political party that submitted them – led to a parting of the ways.
In the 1980s, the Sandgroper self-published a booklet titled You Kids Count Your Shadows: Hairymen and other Aboriginal folklore in New South Wales. Aimed mainly at children, it contains anecdotes of traditional beliefs taken from transcripts of recordings of conversations with so called “urban Aboriginals” of several groups living in country NSW. This little book made the NSW Premier’s Recommended Reading list and has been used as evidence in at least two Land Rights hearings. It is currently in its third printing and can be ordered direct from Frank.
He occasionally works part-time at the Molong Express, a rural newspaper serving Molong (pop. 2000 give or take) in the Central Tablelands of New South Wales.
If you’ve managed to stick with me thus far, you can read more about these and other things in the following pages.